The best way to excite me is with simple architecture and geometry. I’m also really fascinated by the grain and texture of Zack Lewkowicz‘s photograph. His title is perfect—Inward Outward. If you focus on the top corner of the building, he indicates that it becomes an optical illusion. Does it change for you?
Chris Williams and His Mechanical Miracles: Tips for Photographing Airplanes
This Friday May 8, WWII planes are flying over the National Mall. To enjoy the sky parade, Exposed DC is hosting an event around the Jefferson Memorial. Photographing airplanes flying in the sky can be complicated—timing is everything. To help anyone bringing their camera down to the Mall, I asked aviation photography expert, Chris Williams, who also taught our Knowledge Commons class at Gravelly Point last fall, a few questions about his craft and to share a few tips about capturing great aeronautical images.
In Frame: May 4, 2015
I was instantly attracted to the oddity of Matt Goupil-Proietta’s image, BullLicker2015. I immediately think of the campy, mid-century landmarks that pepper Route 66. The tones of this scanned photograph complement the sentiment, time, and place the quirky attractions originated from.
In Frame: April 22, 2015
This is a fun image—I don’t think I’ve ever seen a photograph of inside a car wash. There were many images that I was interested in featuring today by Kevin Wolf. In this photograph, my eye bounces from every corner and angle. The colors, the gritty textures and motion of the suds fleeing from the mop are extremely captivating, making this the perfect choice for today’s In Frame.
In Frame: April 20, 2015
I love how editorial this photograph is. I am usually most attracted to images that use color and geometry to illustrate a subject. I was unfamiliar with the game Go, depicted here in Victoria Pickering’s image. I discovered that the American Go Association’s explanation of the game flawlessly portrays the essence of Pickering’s photo:
“Go is . . . ancient board game which takes simple elements: line and circle, black and white, stone and wood, combines them with simple rules and generates subtleties which have enthralled players for millennia. Go’s appeal does not rest solely on its Asian, metaphysical elegance, but on practical and stimulating features in the design of the game.”
Pickering uses fundamental components of design—simple lines, rudimentary shapes, and primary colors—to accentuate the various elements of her photograph. Working together, the mustard-yellow board and contrasting black lines emphasize the black and white game pieces. Simultaneously the lines separate the hand from the yellow board, allowing it to pop from the background. The player’s hand is elegantly posed and framed perfectly so that the viewer’s eye is directed towards the middle of the photo.
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