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In Frame: February 15, 2017

February 15, 2017 By Caroline Space

Dad

A post shared by Kaitlin Jencso (@kaitlinjencso) on Feb 13, 2017 at 6:36pm PST

I’ve noticed that certain photographer see and make work that feels cinematic in tone and content. Kaitlin Jencso, is one of those art makers. I’m curious as to what makes an image seem like it’s a still out of a movie. What characteristics do these pictures possess that others don’t? Here, is it the dark, cold tones and her father’s mid-gesture expression? Or is it the understated details in the frame—the subtle glimpse of the dirt road, or the yellow leash around his shoulder while the scene is absent of dogs or other animals? It’s ultimately the photographer’s eye that creates the narrative by how she frames the milieu in front of her.

Filed Under: In Frame Tagged With: Cinematic, Dad, dark, Details, Dusk, Kaitlin Jencso

In Frame: October 26, 2016

October 26, 2016 By Caroline Space

Back alley Halloween parties = photo shoot opportunities for @ebradyrobinsonperson @ebradyrobinson

A photo posted by Kaitlin Jencso (@kaitlinjencso) on Oct 23, 2016 at 12:38am PDT

This week we’ve travelled to early 80’s Baltimore, encountering the transgressive mindset of John Waters’ campy films. Photographer Kaitlin Jencso frames the back-alley of a city synonymous with Waters in a manner that emulates the grunge and harshness of the filmmaker, showcasing the city’s intriguing and alluring grit.

Filed Under: In Frame Tagged With: baltimore, Cinematic, Films, Halloween, John Waters, Kaitlin Jencso

In Frame: October 17, 2016

October 17, 2016 By Caroline Space

One more from my hangout with @alexmrice last week. She should be safely in LA by now. Best of luck on the West Coast, Alex! #makeportraitsnotwar

A photo posted by James Jackson (@thisisjamesj) on Oct 16, 2016 at 5:49pm PDT

I realized I don’t feature traditional style portraits very often. But when I see a gorgeous image on my screen sometimes it changes my whole Monday In Frame plan. In James Jackson’s image, the woman’s coy expression, and the way in which her hair falls softly with slight movement, embodies a demure moment in a somewhat gritty scene. It creates a cinematic quality that makes me want to know more about this ingénue.

Filed Under: In Frame Tagged With: Black & White, Cinematic, James Jackson, JJ Jackson, portraits

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