I was really drawn to the raw movements captured in this moment by Antwain Jackson. He attaches this quote to his image, “It does not matter how slowly you go as long as you don’t stop.”—Confucius. It’s one of those statements that really pairs with the essence of the photograph—motion. Appropriately, just behind the boy, you can faintly see a sign that reads, “No Stopping Anytime.” I continue to read Confucius’ words and look at Jackson’s image. Each time I look back and forth, I feel a new sense of movement.
In Frame: April 6, 2015
John Sonderman looks up and finds interesting geometry in this architectural space. His photo, Studio Theatre, is well balanced between light and shadow, causing the viewer to circulate the image–finding new details each time.
In Frame: April 1, 2015
Zoom in to the House of Cards opening. What an interesting catch of three people going about their day on North Capitol by Jordan Barab.
In Frame: March 30, 2015
The most catching detail of the photograph is the farmhouse nestled in a clearing on the hill. The painterly quality of Jim Havard’s image, Shenandoah, is enchanting—emoting a nearly tangible serenity.
In Frame: March 25, 2015
Tunnel vision: spring flowers await us. Photographer Jill Slater has a great vision, using light and reflection to capture the foreshadowing of what’s to come in Washington.
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