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The Places We Find Photography – Andrew Wyeth’s Paintings at NGA

July 17, 2014 By Caroline Space

Andrew Wyeth, Wind from the Sea, 1947
Andrew Wyeth, Wind from the Sea, 1947

Looking Out, Looking In at the National Gallery of Art is a small, humble show featuring mid-century artist Andrew Wyeth’s paintings of windows and farmhouses – a show that quickly became one of my all-time favorite exhibits. You will not see his most famous painting, Christina’s World, or images of his muse Helga; instead, the NGA has followed the thread from their painting, Wind from the Sea, which is regularly on view. This is an emotional journey through light, movement, and contemplation—not only in the process of his paintings but the process of where your mind wanders while looking at art. These works felt familiar but I could not unravel the why at first—this is the first I’ve seen most of these works. I looked back and forth between the paintings and their labels—the dates struck me. The 1940s through 70s were not frequented with many ethereal, subject-driven paintings.

However, photography was.

[Read more…]

Filed Under: Review Tagged With: Andrew Wyeth, exhibit, Looking Out Looking In, National Gallery of Art, NGA, review

Chris Anthony’s Venice at Randall Scott Projects

February 4, 2014 By Caroline Space

 

- Chris Anthony, Venice no.18
– Chris Anthony, Venice no.18, 2009

Chris Anthony’s Venice, showing at Randall Scott Projects through February 22, is an exploration into photography as an ambiguous narrative—the beauty of the images isn’t what they seem. He’s trying to create a story through a type of stage production, where the viewer is given the actor and a selection of props. Anthony writes, “Relationships are made within the scene and a ‘play’ develops in which the viewer becomes the playwright.”

In Venice, Anthony substitutes the traditional, draped theatrical stage and synthesized scenery for the chilling ocean and vast sky. His players perform on the shoreline, highlighting his “underlying theme [of] a society that has developed in and on water”. This is the Venice of Italy and the beach in California; the series was shot in both.

[Read more…]

Filed Under: Review Tagged With: Chris Anthony, RandallScottProjects, review, Venice

The Hirshhorn’s “Damage Control: Art and Destruction Since 1950”

December 5, 2013 By Caroline Space

Jeff Wall, The Destroyed Room, 1978. Glenstone.
Jeff Wall, The Destroyed Room, 1978. Glenstone.

Damage Control: Art and Destruction Since 1950 at the Hirshhorn spans from World War II to the present, covering the destructive theme through artistic interpretation. The enormous exhibit can be broken down into media types: installation, new media, painting, and photography. The first time I visited, I focused on the video art to see how new media plays a role in how we understand destruction. During my last visit, I looked at how the photographs act as virtual realities of devastation. Aside from a few pieces — Arnold Odermatt’s series of car crashes and Gordon Matta-Clark’s “Window Blown Out” from 1976 — the images are enormous. It felt as if I could walk into each chaotic environment I was looking at. But the photographs also call to question its function as a medium.

[Read more…]

Filed Under: Review Tagged With: Ai Weiwei, Arnold Odermatt, art, Damage Control, Damage Control: Art and Destruction Since 1950, Destruction, fine art, Gordon Matta-Clark, Jeff Wall, Luc Delahaye, review, Thomas Demand, Thomas Ruff, Walead Beshty

Marissa Long: Offerings

September 16, 2013 By Caroline Space

Melissa Long
Marissa Long Offerings

Last Friday Civilian Art Projects opened two shows with new work from photographer Marissa Long and painter Nikki Painter. The artists’ works complemented the other’s use of intricate details and bold colors to create a wonderful and seamless transition between the three gallery rooms.

[Read more…]

Filed Under: Review Tagged With: art, Civilian Arts Projects, fine art, fine art photography, Marissa Long, Offerings, review

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