https://instagram.com/p/-9tHMwlV7m/
The little boy is exactly how I want to feel. I love how graphic this image is, by Amanda Archibald.
Submit your best D.C. images into our 10th annual photo contest.
for the love of DC photography
https://instagram.com/p/-9tHMwlV7m/
The little boy is exactly how I want to feel. I love how graphic this image is, by Amanda Archibald.
Submit your best D.C. images into our 10th annual photo contest.
The light and shadows in this self-portrait by Noe Todorovich are what make the image. Yes, it’s a nice portrait, but placing herself in such a graphic scene and using the natural geometry the window blinds create from the light shows great creativity and photographic foresight.
This is a striking portrait by Flickr user [Sharp]. I am completely locked into this woman’s stare. When I briefly escape her eyes I find subtleties in the imaged I love—the tiny bit of orange on her sleeve, the way her hair falls, the one strand the moves in the wind, and the telephone pole.
By James Calder
An unusual moment powerfully captured by Paul Sirajuddin. Without knowing the context, the image of such a large conflagration so close to the Monument, with sparks swirling and people’s faces glowing from the flames, is simultaneously disconcerting and intriguing. If you don’t know the circumstances, click the link on the image title to find out in Sirajuddin’s description on Flickr.
There’s something about this park ranger’s gesture that really keeps me focused in the frame. Flickr contributor His Noodly Appendage provides a great example of a portrait in which we can’t see the subject’s eyes, but which still exhibits the mood and characteristics of the person being photographed.